Unleashing the Power of Wide Intervals: A Deep Dive into Eddie Harris’s Intervallistic Concept
Offers the complete method for all single-line wind instruments.
By exploring the Eddie Harris Intervallic Concept, musicians and music enthusiasts can gain a deeper understanding of the intricacies of jazz and improvisational music. This revolutionary approach continues to inspire creativity and innovation, ensuring Harris's legacy as a pioneering musician and educator. eddie harris intervallistic concept pdf
Harris wanted musicians to practice manipulating intervals. For example, if you are playing a melody and the next note you hear in your head is a Perfect 5th away, you should be able to jump that 5th flawlessly, regardless of what key you are in or what scale the chord chart says you are supposed to be playing.
A common pitfall in jazz improvisation is "muscle memory" playing, where the hands automatically run familiar patterns. The Intervallistic Concept disrupts this. Because the intervals change constantly, the player cannot rely on automated muscle memory; they must actively think and hear, leading to more conscious, melodic improvisation. Unleashing the Power of Wide Intervals: A Deep
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Applying triplets, sixteenth notes, and syncopation to wide-interval jumps to make them swing. Harris wanted musicians to practice manipulating intervals
When a player runs a scale up and down, the listener can easily anticipate where the line is going. When you introduce an intervallistic leap—say, jumping up an augmented fourth, dropping a major seventh, and rising a perfect fifth—the line becomes angular, unpredictable, and highly modern. It mimics the wide-interval vocabulary of classical giants like Igor Stravinsky or Arnold Schoenberg, but recontextualized within a jazz rhythm. 2. Symmetrical and "Outside" Playing
To understand the book, you must understand the man. Eddie Harris (1933–1996) was a virtuoso who refused to be boxed in. He possessed a flawless classical technique, an astonishing altissimo range that rivaled a flute, and a deeply rooted blues sensibility.
Since the book is niche, finding a physical copy can be difficult and expensive.