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Emu Proteus 2 Soundfont [ Authentic ]

Solo cello, viola, and violin; ensemble marcato, legato, and pizzicato sections. Woodwinds:

E-MU Proteus 2 Soundfont a digital reproduction of the classic Proteus/2 Orchestral 16-bit sound module

While the modern user likely wants the entire library, certain Proteus/2 patches have earned legendary status. The most famous is preset , which was famously used as the iconic lead whistle in the theme for The X-Files . Other patches like "Warm Pad," "Glass Voices," "Pizzicato," and "Full Orch Hit" have also been staples in countless productions.

: Because it offered high-quality (for the time) woodwinds and strings in a compact unit, it became the "workhorse" for TV shows like Teletubbies and Thomas & Friends , and films like GoldenEye .

The Proteus/2 Soundfont offers a completely different value proposition:

The Proteus 2 was revolutionary for making professional orchestral samples—previously only available in expensive samplers like the Emulator III

A warm, slightly synthetic cello that cuts through a mix.

These sounds were engineered to sit perfectly in a track without heavy processing.

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    Solo cello, viola, and violin; ensemble marcato, legato, and pizzicato sections. Woodwinds:

    E-MU Proteus 2 Soundfont a digital reproduction of the classic Proteus/2 Orchestral 16-bit sound module

    While the modern user likely wants the entire library, certain Proteus/2 patches have earned legendary status. The most famous is preset , which was famously used as the iconic lead whistle in the theme for The X-Files . Other patches like "Warm Pad," "Glass Voices," "Pizzicato," and "Full Orch Hit" have also been staples in countless productions.

    : Because it offered high-quality (for the time) woodwinds and strings in a compact unit, it became the "workhorse" for TV shows like Teletubbies and Thomas & Friends , and films like GoldenEye .

    The Proteus/2 Soundfont offers a completely different value proposition:

    The Proteus 2 was revolutionary for making professional orchestral samples—previously only available in expensive samplers like the Emulator III

    A warm, slightly synthetic cello that cuts through a mix.

    These sounds were engineered to sit perfectly in a track without heavy processing.

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