Despite its initial popularity and successful syndication run throughout the 1970s and 1980s, the 1966 Tarzan series gradually faded from broadcast schedules. As television transitioned to high-definition formats, older 35mm prints of the show were archived, forgotten, or tied up in complex distribution rights and licensing battles. For decades, the only way fans could revisit Ron Ely’s jungle exploits was through degraded, multi-generational VHS bootlegs traded at comic conventions or low-resolution clips uploaded to streaming platforms.

Produced by Sy Weintraub, written by Clair Huffaker, and directed by Robert Day, this film was a radical departure from the typical Tarzan formula. The goal was to create a "James Bond-style" adventure, complete with a tuxedo-wearing, globetrotting Tarzan who used guns, grenades, and even a tank to defeat his enemies. The plot involves the jungle lord being asked by Mexican authorities to pursue a megalomaniacal millionaire, Vinero (played with sinister glee by David Opatoshu), who has kidnapped a young boy believed to hold the key to a legendary city of gold. The film was shot entirely on location in Mexico, including scenes at the famous Plaza de Toros in Mexico City and the Teotihuacan ruins, giving it a grand, cinematic scope that was well-received by audiences. Reviews of the film are mixed, with some critics pointing out the oddity of Tarzan using modern weaponry, but many praise the performances, the action sequences, and the stunning Mexican scenery.

: Ron Ely famously insisted on performing his own stunts. This dedication came at a high cost; during the first season alone, he suffered 17 major injuries, including broken shoulders, fractured ribs, and multiple lion bites.

The Internet Archive (archive.org) has become the de facto digital library for this series.

Explore the wild. Visit the Archive.

The is more than just a digital archive; it is a critical piece of television history made accessible. Ron Ely’s unique, intelligent portrayal of Tarzan, combined with the high-adventure, color-filmed episodes, makes this series a must-watch for anyone interested in the evolution of television action heroes. Thanks to the Internet Archive, the adventures of the 1966 Ape-Man continue to swing on.

In a bold move for the time, the series excluded the character of Jane to focus on Tarzan’s solo adventures and his bond with Jai and Cheeta.

X. Closing notes for bloggers and curators

: Modern licensing for the character is managed by Edgar Rice Burroughs, Inc. .